Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Mofizur Rahman
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Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Honours 4th Year
20th Century Novel
Sons and Lovers by D. H. Lawrence
Bangla and English Summary
Character Explanation & Themes

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Sons and Lovers Bangla Summary & Character by D. H. Lawrence

Sons and Lovers

Character Explanations

Walter Morel

He is an English collier. Representative of Lawrence's own father, Arthur. He wants to be a coal miner since his boyhood and is satisfied with his job. He is a pessimistic person who can't keep with his family members and jealous also.

Gertrude Morel

Walter Morel's wife.  Representative of Lawrence's own mother, Lydia. She is an unsympathetic lady who doesn’t care to her husband. But her motherly affection is shown in an extravagant way in this novel. Al the end of the novel, she dies tragically.

William Morel

Paul's elder brother and also eldest son of Walter and Gertrude Morel. He hates his father and more attached to his mother. Until Paul's relationship with his mother, he was the loveliest son to his mother.

Paul Morel

The second child of Walter and Gertrude Morel.

Miriam Leivers

A young farm girl. She is very introvert, romantic ambitious, religious in nature. It is ofyen said that, Miriam is represented as the Author's own beloved Jessica Chambers.

Clara Dawes

A handsome, married but physically emancipated woman living apart from her husband. Paul's mistress, makes physical relation with Paul for a several times. 

Baxter Dawes

Clara Dawes's husband. A brutal and jealous perosn. Antagonist of Paul Morel.

Anne Morel

Paul Morel's sister. She escapes her home by becoming a school teacher. 

Arthur Morel

The youngest of Mr.Morel's children. The only son whom Mr.Morel loevs much.

Mr Leivers

A silent person and father of Miriam Leivers.  

Important Themes of the novel

  1. The Oedipus Complex
  2. Family romantic and Social Bondage
  3. Contradictions and Oppositions
  4. Natural Scenery

  • The Oedipus Complex:- Hope that you all are familier with the term who have crossed your 2nd Year's bondage. It comes from the Greek tragedy of Oedipus Rex. In the novel, the blind prophet, Teiresias prophesied that Oedipus will murder his father and have sex with his mother. In the modern time, this term is names by the famous psychiatrist, Sigmund Freud. In "Sons and Lovers", Lawrence uses this complex to explore Paul's relationship with his mother, which sometimes borders on romantic. In addition, Paul hates his father with a passion and often fantasizes about his death. Paul tries to get rid of his guilty feelings by transferring his feelings to Miriam and Clara (transference also being a Freudian term).

  • Family romantic and Social Bondage:- Lawrence discusses the idea of bondage in both social and romantic arenas. Mrs. Morel feels that she is bound by being a woman. This causes her to feel jealous of Miriam who is able to use her intellect. Romantic bondage is discussed in greater detail. Paul feels bound to his mother and unable to love or marry someone else. Social absurdity and jealousy is also discussed throughout the novel, which is closely connected to the theme of bondage.

  • Contradictions and Oppositions:- The main contradiction seen in the novel is that of love and hate, as Paul goes back and forth between these two with all of the woman in his life. Sometimes he seems to feel both at the same time, as with Miriam. Lawrence also contrasts body and mind when exploring the idea of desire.

  • Natural Scenery:- Lawrence uses descriptions of the natural environment to explore the emotions and desires of the characters.


English Summary (āĻ‡ংāĻ°েāĻœি āĻ¸াāĻŽাāĻ°ি āĻŦা āĻ¸াāĻ°āĻŽāĻ°্āĻŽ)

The novel begins with the unhappy marriage of a couple. The first part of the novel focuses on Mrs. Morel and her unhappy marriage to a drinking miner. Gertrude (soon to be Mrs. Morel), an intelligent young woman from a middle-class English family, meets a young miner, Mr. Morel.


She is carmed by the behaviour and attitude of Mr.Morel so the pair are married a few months later and soon Mrs. Morel becomes pregnant. The first few months of their marriage are happy, but gradually their relationship was growing in a razzmatazz way. Mrs. Morel discovers that Walter is not as wealthy as she believed and that they do not own the house they live in, but rather rent it from Walter’s mother.


After a few months, Mrs. Morel gives birth to a son, who she names William, and she adores him immensely. Although she and Mr. Morel are still friendly with each other, she has lost interest in him and the rift between them widens after the birth of the child. She focuses all her love on her son and delights in planning for his future and watching him grow up.


Mrs. Morel has a second child, Annie, and then gets pregnant with a third. And he is Paul. One night, shortly after the birth, when she has taken the children out of the house to avoid Mr. Morel’s temper, she sits and watches the sunset on a nearby hill and decides to name the baby Paul. Paul grows into a serious and thoughtful child. William, meanwhile, is very active and charming.


Mrs. Morel gives birth to a third son, Arthur, whom Mr. Morel is instantly fond of. When William is old enough, he gets a job as a clerk and is very successful and well-liked. He is offered a position in London and gleefully accepts. At first, William visits home a lot and sends money to his family. However, as time goes on, he begins to get caught up in city life and spends his money on his fiancÊe, Louisa Lily Denys Western.


Morel is shocked and depressed when, during another visit, William is openly cruel to Louisa. Not long after this, William contracts pneumonia and dies, leaving Mrs. Morel heartbroken. Paul, meanwhile, grows into an intelligent young man and takes a job as a clerk in Nottingham. Mrs. Morel continues to grieve for William, and Paul, who is also very close to his mother, is desperate to bring her out of herself and to win her attention back.


When Paul is struck down with pneumonia, Mrs. Morel realizes, to her horror, that she has neglected him. She does everything in her power to nurse him back to health. Paul recovers well and from then on, Mrs. Morel is committed to him and pins all her hopes for the future on him. In Paul's office, he meets with Miriam Leivers. Paul falls in love with Miriam Leivers, who lives on a farm not too far from the Morel family.


Miriam, who is very timid, religious, and intellectual. Mrs. Morel dislikes her. Although Paul and Miriam get along well, there is a physical awkwardness between them. They are both immature and neither understands that they are attracted to each other. Mrs. Morel is jealous of the time he spends with Miriam cause she suspects that Paul may turn out of her.


Miriam realizes that she is in love with Paul, but she feels ashamed of this physical attraction because it clashes with her religious views. Miriam does not tell Paul about her feelings. Paul paints well. Around this time, Paul wins a prize for his painting in a Nottingham exhibition. One night, he meets Miriam at the exhibition along with a young woman called Clara Dawes.


Clara is married to a man named Baxter, who works in the same factory as Paul, but the pair have separated. Miriam and Paul continue their platonic relationship, but it puts a strain on them, as they both wish to become a couple but do not know how to do so.  Miriam is hurt and confused, but she continues to maintain that she is good for Paul and that he “belongs to her.”


One night, when Paul is out with Miriam, Mrs. Morel is taken ill. When Paul returns, Annie berates him for neglecting his mother. Paul tries to break things off with Miriam. One afternoon, Paul is invited to Miriam’s house to have tea with Clara Dawes. Although Paul still dislikes Clara, he finds her impressive and attractive.


Paul gets Clara a job in the factory, but still finds her haughty and reserved at work. Her presence irritates him and he goes out of his way to annoy her. During the summer, Paul and Miriam get engaged, but Paul breaks off the engagement several weeks later. He strikes up a relationship with Clara but continues to see Miriam often. Baxter Dawes finds out about Paul and Clara, and Baxter and Paul get into a fight in a pub.


Baxter later attacks Paul in the dark, while he is walking back from Clara’s house. During this period, Mrs. Morel’s health begins to decline. While she is on holiday in Sheffield, staying with Annie, she falls ill and is diagnosed with cancer.


Paul is horrified at the thought that his mother may die. He stays in Sheffield to nurse her and. After a few weeks, Mrs. Morel is able to travel home, but it is understood by everyone that she will not live very long. Although Paul is still in contact with both Miriam and Clara, he finds that he no longer cares for them and he dedicates all his time to caring for his mother. Mrs. Morel dies gradually and painfully.

Annie and Paul, who care for her, can hardly bear the strain.

Finally, after Mrs. Morel has grown unbearably ill, Paul poisons her with the painkillers he has been given by the doctor. Not long after Mrs. Morel’s death, Paul goes on a trip to the seaside with Baxter and invites Clara to join them. At that time, Paul believes that Clara wishes to reconcile with Baxter and arranges things so that he leaves them together in the cottage.


Although Clara is angry with Paul but she does forgive Baxter and agrees to return to him as his wife. One night, he sees Miriam outside church and invites her back to his house. Miriam is sad to see that he has deteriorated and suggests that they get married. Paul rejects her, and Miriam decides that she will never see him again.


After she has gone, Paul catches a car out into the country and walks across the fields in the dark. He calls out to his mother and wishes to end his life so he can be with her. Thus, the novel ends tragically.


āĻŦাংāĻ˛া āĻ¸াāĻŽাāĻ°ী āĻŦা āĻ¸াāĻ°āĻŽāĻ°্āĻŽ (Bangla- Bengali Summary)

āĻ‰āĻĒāĻ¨্āĻ¯াāĻ¸েāĻ° āĻļুāĻ°ুāĻ¤েāĻ‡ āĻĻেāĻ–া āĻ¯াā§Ÿ Mrs.Gartrude Morel āĻ†āĻ° āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽী Mr. Walter. Morel āĻāĻ° āĻ•āĻ˛āĻšāĻĒূāĻ°্āĻŖ āĻĻাāĻŽ্āĻĒāĻ¤্āĻ¯ āĻœীāĻŦāĻ¨েāĻ° āĻ•াāĻšিāĻ¨ী। Walter Morel āĻ•ā§ŸāĻ˛াāĻ° āĻ–āĻ¨িāĻ¤ে āĻ•াāĻœ āĻ•āĻ°েāĻ¨। āĻŦিāĻŦাāĻšেāĻ° āĻ†āĻ—ে Mrs.Morel āĻ­েāĻŦেāĻ›িāĻ˛ো Walter Morel āĻāĻ° āĻ†āĻ°্āĻĨিāĻ• āĻ…āĻŦāĻ¸্āĻĨা āĻ¤āĻ¤āĻŸা āĻļোāĻšāĻ¨ীā§Ÿ āĻ¨ā§Ÿ āĻ•িāĻ¨্āĻ¤ু āĻŦিāĻŦাāĻšেāĻ° āĻĒāĻ°ে āĻ¸ে āĻĻেāĻ–āĻ¤ে āĻĒেāĻ˛ Walter Morel āĻ†āĻ¸āĻ˛ে āĻ¨িāĻ¨্āĻŽāĻŦিāĻ¤্āĻ¤ āĻāĻ•āĻœāĻ¨ āĻ˛োāĻ•।


āĻāĻŽāĻ¨ি āĻ¤াঁāĻ°া āĻ¯ে āĻŦাā§œিāĻ¤ে āĻĨাāĻ•ে āĻ¸েāĻ‡ āĻŦাā§œিāĻŸাāĻ“ āĻšāĻš্āĻ›ে āĻ­াā§œা āĻ¨েā§Ÿা৷ āĻ¤াঁāĻĻেāĻ° āĻ¤িāĻ¨ āĻ›েāĻ˛ে āĻ“ āĻāĻ• āĻŽেā§Ÿে। āĻ¸āĻŦাāĻ‡ āĻŽিāĻ˛ে England āĻāĻ° Bestwood āĻ¨াāĻŽāĻ• āĻāĻ•āĻŸা āĻœাā§ŸāĻ—াā§Ÿ āĻĨাāĻ•েāĻ¨। āĻ¸্āĻŦাāĻŽীāĻ° āĻ¸াāĻĨে Mrs.Morel āĻāĻ° āĻĒ্āĻ°াā§ŸāĻ‡ āĻাāĻŽেāĻ˛া āĻšā§Ÿ āĻāĻŦং āĻĒ্āĻ°াā§ŸāĻ‡ āĻ¸েāĻŸা āĻŽাāĻ¤্āĻ°াāĻ¤িāĻ°িāĻ•্āĻ¤ āĻĒāĻ°্āĻ¯াā§Ÿে āĻšāĻ˛ে āĻ¯াā§Ÿ৷ āĻŽোāĻŸāĻ•āĻĨা āĻ¸āĻŦ āĻŽিāĻ˛ে Mrs.Morel āĻāĻ•āĻŸা āĻĻুāĻ°্āĻŦিāĻˇāĻš āĻœীāĻŦāĻ¨ āĻ¯াāĻĒāĻ¨ āĻ•āĻ°āĻ¤েāĻ›ে। āĻ¤াāĻ‡ Mrs.Morel āĻ¸িāĻĻ্āĻ§াāĻ¨্āĻ¤ āĻ¨েā§Ÿ āĻ¯ে āĻ¸ে āĻ¤াঁāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻĨেāĻ•ে āĻ†āĻ˛াāĻĻা āĻšā§Ÿে āĻ¯াāĻŦে āĻ¤াঁāĻ° āĻ¸āĻ¨্āĻ¤াāĻ¨āĻĻেāĻ°āĻ•ে āĻ¨িā§Ÿে। Mrs.Morel āĻāĻ° āĻŦā§œ āĻ›েāĻ˛েāĻ° āĻ¨াāĻŽ, William Morel


āĻ¤াāĻ°āĻĒāĻ° āĻāĻ•āĻŽাāĻ¤্āĻ° āĻŽেā§Ÿে Anne Morel, āĻ¤াāĻ°āĻĒāĻ° Paul Morel āĻāĻŦং āĻ¸āĻŦাāĻ° āĻ›োāĻŸ Arthur Morel. āĻ¸্āĻŦাāĻŽীāĻ° āĻ•াāĻ› āĻĨেāĻ•ে āĻ­াāĻ˛োāĻŦাāĻ¸া āĻ¨া āĻĒাāĻ“ā§ŸাāĻ¤ে Mrs.Morel āĻ¤াঁāĻ° āĻ›েāĻ˛েāĻŽেā§ŸেāĻĻেāĻ° āĻ‰āĻĒāĻ° āĻ¨িāĻ°্āĻ­āĻ°āĻļীāĻ˛ āĻšā§Ÿে āĻĒā§œে āĻŦিāĻļেāĻˇ āĻ•āĻ°ে āĻ¤াঁāĻ° āĻŦā§œ āĻ›েāĻ˛ে William Morel āĻāĻ° āĻ‰āĻĒāĻ°। āĻ•িāĻ›ুāĻĻিāĻ¨েāĻ° āĻŽāĻ§্āĻ¯েāĻ‡ āĻ¤াঁāĻĻেāĻ° āĻŽāĻ§্āĻ¯ে āĻ˜āĻ¨িāĻˇ্āĻ  āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻ¤ৈāĻ°ি āĻšā§Ÿ। āĻāĻŸাāĻ‡ āĻšāĻš্āĻ›ে āĻāĻ‡ āĻĄ্āĻ°াāĻŽাāĻ° āĻ—ুāĻ°ুāĻ¤্āĻŦāĻĒূāĻ°্āĻŖ theme, Oedipus Complex. William āĻŦā§œ āĻšāĻ¤ে āĻĨাāĻ•ে, āĻ¸াāĻĨে āĻ¤াঁāĻ° āĻ›োāĻŸ āĻ­াāĻ‡āĻŦোāĻ¨েāĻ°াāĻ“।


William āĻāĻ° āĻŦā§ŸāĻ¸ āĻ¯āĻ–āĻ¨ 19 āĻ¤āĻ–āĻ¨ āĻ¸ে āĻāĻ•āĻŸা āĻšাāĻ•āĻ°ি āĻĒাā§Ÿ Nottingham āĻ। āĻ¤াāĻ‡ āĻšাāĻ•āĻ°িāĻ° āĻ¸ুāĻŦাāĻĻে āĻ¤াঁāĻ•ে London āĻ āĻšāĻ˛ে āĻ¯েāĻ¤ে āĻšā§Ÿ। Mrs.Morel āĻ†āĻŦাāĻ° āĻāĻ•া āĻšā§Ÿে āĻ¯াā§Ÿ। āĻ•িāĻ¨্āĻ¤ু āĻŽাā§Ÿে-āĻ›েāĻ˛েāĻ° āĻŽāĻ§্āĻ¯ে āĻ¯োāĻ—াāĻ¯োāĻ— āĻ…āĻ•্āĻˇুāĻŖ্āĻŖ āĻĨাāĻ•ে৷ London āĻ āĻ—িā§Ÿে William, Lyly āĻ¨াāĻŽেāĻ° āĻāĻ• āĻ¸ুāĻ¨্āĻĻāĻ°ী āĻŽেā§ŸেāĻ° āĻĒ্āĻ°েāĻŽে āĻĒā§œে৷ āĻāĻŸা Mrs.Morel āĻœাāĻ¨াāĻ° āĻĒāĻ° āĻ¤িāĻ¨ি(Mrs.Morel) āĻĒ্āĻ°āĻšāĻ¨্āĻĄ āĻšāĻ¤াāĻļ āĻšā§Ÿে āĻĒā§œেāĻ¨।


āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে William āĻŦাā§œিāĻ° āĻ¸াāĻĨে,āĻ¤াঁāĻ° āĻŽাā§ŸেāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ•েāĻ° āĻĻূāĻ°āĻ¤্āĻŦ āĻŦাā§œাāĻ¤ে āĻĨাāĻ•ে৷ āĻ•িāĻ¨্āĻ¤ু āĻĻুāĻ°্āĻ­াāĻ—্āĻ¯āĻœāĻ¨āĻ•āĻ­াāĻŦে āĻ•ā§ŸেāĻ• āĻŦāĻ›āĻ° āĻĒāĻ° William, London āĻāĻ‡ āĻāĻ•āĻŸা screen disease āĻ āĻŽাāĻ°া āĻ¯াā§Ÿ৷ Mrs.Morel āĻāĻ¤ে āĻ†āĻ°ো āĻ­েāĻ™ে āĻĒā§œেāĻ¨। āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে āĻāĻ•āĻŸু āĻ¸ুāĻ¸্āĻĨ āĻšā§Ÿে āĻ‰āĻ āĻ˛ে Mrs.Morel āĻ¤াঁāĻ° āĻŽেāĻœো āĻ›েāĻ˛ে Paul āĻāĻ° āĻĒ্āĻ°āĻ¤ি attracted āĻšā§Ÿে āĻĒā§œে। Paul āĻāĻ° āĻāĻ•āĻŸা āĻ…āĻ¸ুāĻ– āĻšāĻ“ā§ŸাāĻ¤ে Mrs.Morel, Paul āĻāĻ° āĻ†āĻ°ো āĻ•াāĻ›াāĻ•াāĻ›ি āĻšāĻ˛ে āĻ†āĻ¸ে।


āĻ¤াঁāĻĻেāĻ° āĻŽāĻ§্āĻ¯ে āĻāĻ•āĻŸা āĻ…āĻŦিāĻš্āĻ›েāĻĻ্āĻ¯ āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻ¤ৈāĻ°ি āĻšā§Ÿ। āĻ¯েāĻŸা āĻļেāĻˇ āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻļাāĻ°ীāĻ°িāĻ• āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻ—ā§œাā§Ÿ। āĻĻু'āĻœāĻ¨েāĻ° āĻāĻ‡ āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻŦেāĻļ āĻ­াāĻ˛োāĻ‡ āĻšāĻ˛āĻ¤ে āĻĨাāĻ•ে। āĻ†āĻ° āĻāĻ¸āĻŦ āĻĻেāĻ–ে Mr.Morel āĻˆāĻ°্āĻˇাāĻ¨্āĻŦিāĻ¤ āĻšā§Ÿ āĻļুāĻ§ু। Paul āĻ…āĻ¨েāĻ• āĻ­াāĻ˛ো āĻ›āĻŦি āĻ†ঁāĻ•āĻ¤ে āĻĒাāĻ°āĻ¤ো। āĻ¤াāĻ‡ āĻ¤াঁāĻ° āĻāĻ•āĻŸা āĻšাāĻ•āĻ°ি āĻšā§Ÿ āĻ¸্āĻĨাāĻ¨ীā§Ÿ āĻ…āĻĢিāĻ¸ে। āĻ¸েāĻ–াāĻ¨ে āĻĨাāĻ•াāĻ•াāĻ˛ীāĻ¨ āĻ¸āĻŽā§Ÿে Paul, Miriam Leivers  āĻ¨াāĻŽেāĻ° āĻāĻ• āĻŽেā§ŸেāĻ° āĻĒ্āĻ°েāĻŽে āĻĒā§œে āĻ¯াā§Ÿ।


āĻĻু'āĻœāĻ¨েāĻ° āĻŽāĻ§্āĻ¯ে āĻ•āĻĨাāĻŦাāĻ°্āĻ¤া āĻšāĻ˛āĻ¤ে āĻĨাāĻ•ে āĻ•িāĻ¨্āĻ¤ু āĻ¸েāĻŸা āĻ…āĻ¨্āĻ¯ āĻ•োāĻ¨ āĻ‰āĻĻ্āĻĻেāĻļ্āĻ¯ে āĻ¨ā§Ÿ āĻ•াāĻ°āĻŖ Paul āĻ¤াঁāĻ° āĻŽাāĻ•ে āĻ›াā§œা āĻ…āĻ¨্āĻ¯ āĻ•াāĻ°ো āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ•েāĻ° āĻ•āĻĨা āĻ­াāĻŦāĻ¤েāĻ‡ āĻĒাāĻ°েāĻ¨া। Miriam Leivers āĻ•িāĻ¨্āĻ¤ু Paul āĻ•ে āĻ­াāĻ˛োāĻŦেāĻ¸ে āĻĢেāĻ˛ে। āĻāĻŸা āĻāĻ•āĻ¸āĻŽā§Ÿে Paul āĻāĻ° āĻŽা Mrs.Morel āĻŦুāĻে āĻĢেāĻ˛ে। āĻ¸ে āĻŽāĻ¨ে āĻ•āĻ°ে Miriam āĻšā§ŸāĻ¤ো āĻ¤াঁāĻ° āĻĨেāĻ•ে Paul āĻ•ে āĻ•েā§œে āĻ¨িāĻ¤ে āĻšাā§Ÿ āĻ¤াāĻ‡ āĻ¸ে Paul āĻ•ে Miriam āĻāĻ° āĻ¸াāĻĨে āĻŽিāĻļāĻ¤ে āĻ¨িāĻˇেāĻ§ āĻ•āĻ°ে āĻĻেā§Ÿ।


āĻ āĻ…āĻĢিāĻ¸েāĻ‡ Paul āĻāĻ° āĻ¸াāĻĨে āĻĻেāĻ–া āĻšā§Ÿ Clara Dawes āĻāĻ°। Clara āĻāĻ•āĻœāĻ¨ āĻŦিāĻŦাāĻšিāĻ¤া āĻŽāĻšিāĻ˛া āĻ•িāĻ¨্āĻ¤ু āĻ¸ে āĻ¤াঁāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻĨেāĻ•ে separate āĻšā§Ÿে āĻ—িā§ŸেāĻ›ে। āĻ†āĻ¸্āĻ¤ে āĻ†āĻ¸্āĻ¤ে Paul āĻāĻ° āĻ¸াāĻĨে Clara āĻāĻ° āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻšāĻ¤ে āĻļুāĻ°ু āĻ•āĻ°ে। Paul, Clara āĻāĻ° āĻ•াāĻ›ে Miriam āĻ¸āĻŽ্āĻĒāĻ°্āĻ•ে āĻŦāĻ˛ে। āĻ¤āĻ–āĻ¨ Clara āĻŦāĻ˛ে Paul āĻ¯েāĻ¨ Miriam āĻāĻ° āĻ¸াāĻĨে āĻļাāĻ°ীāĻ°িāĻ• āĻ¸āĻŽ্āĻĒāĻ°্āĻ•ে āĻ˛িāĻĒ্āĻ¤ āĻšā§Ÿ।


āĻāĻ° āĻŽাāĻ§্āĻ¯āĻŽে Paul āĻ†āĻ° Miriam āĻ­াāĻ˛ো āĻāĻ•āĻŸা āĻ¸āĻŽā§Ÿ āĻ•াāĻŸাāĻ¤ে āĻĨাāĻ•ে। āĻ¤āĻ–āĻ¨ Paul, Miriam āĻ•ে āĻŦিā§Ÿে āĻ•āĻ°াāĻ° āĻ•āĻĨা āĻ­াāĻŦāĻ¤ে āĻĨাāĻ•ে। āĻāĻ‡ āĻ•āĻĨা Mrs.Morel āĻ•ে Paul āĻœাāĻ¨াāĻ˛ে Mrs.Morel āĻ¨া āĻ¨াāĻ•āĻš āĻ•āĻ°ে āĻĻেā§Ÿ। āĻ•িāĻ¨্āĻ¤ু Paul āĻŦুāĻāĻ¤ে āĻĒাāĻ°ে āĻ¸ে Miriam āĻ•ে āĻ¸āĻ¤্āĻ¯িāĻ‡ āĻ­াāĻ˛োāĻŦাāĻ¸ে৷ āĻ•িāĻ¨্āĻ¤ু āĻ¸ে āĻ¤ো āĻ¤াঁāĻ° āĻŽাāĻ•েāĻ“ āĻ­াāĻ˛োāĻŦাāĻ¸ে। āĻ¸ে āĻ¤াঁāĻ° āĻŽাāĻ•ে āĻ›াā§œāĻ¤ে āĻĒাāĻ°āĻŦে āĻ¨া āĻ¤াāĻ‡ āĻ¸ে Miriam āĻāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻļেāĻˇেāĻ° āĻ•āĻĨা āĻ­াāĻŦে। Miriam āĻāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻļেāĻˇেāĻ° āĻĒāĻ° Paul āĻ•িāĻ›ুāĻŸা āĻāĻ•াāĻ•িāĻ¤্āĻŦ āĻ…āĻ¨ুāĻ­āĻŦ āĻ•āĻ°ে।


āĻ¤āĻ–āĻ¨ āĻ¸ে Clara āĻ•ে āĻ¤াঁāĻ° āĻ•াāĻ›ে āĻĒাā§Ÿ। āĻ¤াঁāĻĻেāĻ° āĻĻু'āĻœāĻ¨েāĻ° āĻŽāĻ§্āĻ¯ে āĻ†āĻŦাāĻ° āĻ—āĻ­ীāĻ° āĻ¸āĻŽ্āĻĒāĻ°্āĻ• āĻ¤ৈāĻ°ি āĻšā§Ÿ। āĻāĻ‡ āĻ˜āĻŸāĻ¨া āĻāĻ•āĻ¸āĻŽā§Ÿে Clara āĻāĻ° āĻ¸্āĻŦাāĻŽী Baxter Dawes āĻœেāĻ¨ে āĻ¯াā§Ÿ। āĻ¤āĻ–āĻ¨ Baxter, Paul āĻ•ে āĻ¨িāĻ°্āĻŽāĻŽāĻ­াāĻŦে āĻŽাāĻ°āĻ§োāĻ° āĻ•āĻ°ে। āĻ¤āĻ–āĻ¨ Paul āĻŦুāĻāĻ¤ে āĻĒাāĻ°ে āĻ¯ে Baxter āĻ¤āĻ–āĻ¨āĻ“ Clara āĻ•ে āĻšাā§Ÿ। āĻ¤াāĻ‡ Paul āĻ¤াঁāĻĻেāĻ° āĻĻু'āĻœāĻ¨āĻ•ে āĻ†āĻŦাāĻ° āĻāĻ• āĻšāĻ¤ে āĻ¸াāĻšাāĻ¯্āĻ¯ āĻ•āĻ°ে। āĻšāĻ াā§Ž āĻ•āĻ°েāĻ‡ Mrs.Morel āĻ…āĻ¸ুāĻ¸্āĻĨ āĻšā§Ÿে āĻĒā§œে।


āĻĻিāĻ¨āĻ•ে āĻĻিāĻ¨ Mrs.Morel āĻāĻ° āĻ…āĻŦāĻ¸্āĻĨা āĻ–াāĻ°াāĻĒ āĻĨেāĻ•ে āĻ–াāĻ°াāĻĒāĻ¤āĻ° āĻšāĻ¤ে āĻĨাāĻ•ে। Mrs.Morel āĻ¸াāĻ°াāĻ•্āĻˇāĻŖ āĻŦিāĻ›াāĻ¨াā§Ÿ āĻ›āĻŸāĻĢāĻŸ āĻ•āĻ°āĻ¤ে āĻĨাāĻ•ে। āĻ¤াāĻ° āĻ­ā§ŸāĻ™্āĻ•āĻ° āĻ°োāĻ— āĻ•্āĻ¯াāĻ¨্āĻ¸াāĻ° āĻšā§Ÿ। Paul āĻ¤া āĻ¸āĻš্āĻ¯ āĻ•āĻ°āĻ¤ে āĻ¨া āĻĒেāĻ°ে Mrs.Morel āĻ•ে āĻ”āĻˇāĻ§েāĻ° overdose āĻĻিā§Ÿে āĻŽেāĻ°ে āĻĢেāĻ˛েāĻ¨। āĻāĻ°āĻĒāĻ° Paul āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻāĻ•া āĻšā§Ÿে āĻ¯াā§Ÿ। āĻ¸ে āĻ›āĻ¨্āĻ¨āĻ›াā§œা āĻœীāĻŦāĻ¨ āĻ¯াāĻĒāĻ¨ āĻ•āĻ°āĻ¤ে āĻĨাāĻ•ে৷ Miriam āĻ¤āĻ–āĻ¨āĻ“ Paul āĻāĻ° āĻ•াāĻ›ে āĻĢিāĻ°ে āĻ¯েāĻ¤ে āĻšাā§Ÿ। āĻ•িāĻ¨্āĻ¤ু Paulm āĻ¤াঁāĻ•ে āĻĒ্āĻ°āĻ¤্āĻ¯াāĻ–্āĻ¯াāĻ¨ āĻ•āĻ°ে āĻĻেā§Ÿ। āĻ¸āĻŦāĻļেāĻˇে āĻ¸ে āĻœীāĻŦāĻ¨েāĻ° āĻĒ্āĻ°āĻ¤ি āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻ†āĻļাāĻšāĻ¤ āĻšā§Ÿে āĻĒā§œে। āĻ¤াঁāĻ° āĻĻুāĻšোāĻ– āĻ¯েāĻĻিāĻ•ে āĻ¯াā§Ÿ āĻ¸ে āĻ¸েāĻĻিāĻ•েāĻ‡ āĻšāĻ˛ে āĻ¯াā§Ÿ।


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