Sons and Lovers Bangla Summary & Character by D. H. Lawrence
Honours 4th Year
20th Century Novel
Sons and Lovers by D. H. Lawrence
Bangla and English Summary
Character Explanation & Themes
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Sons and Lovers
Character Explanations
Walter Morel
He is an English collier. Representative of Lawrence's own father, Arthur. He wants to be a coal miner since his boyhood and is satisfied with his job. He is a pessimistic person who can't keep with his family members and jealous also.
Gertrude Morel
Walter Morel's wife. Representative of Lawrence's own mother, Lydia. She is an unsympathetic lady who doesn’t care to her husband. But her motherly affection is shown in an extravagant way in this novel. Al the end of the novel, she dies tragically.
William Morel
Paul's elder brother and also eldest son of Walter and Gertrude Morel. He hates his father and more attached to his mother. Until Paul's relationship with his mother, he was the loveliest son to his mother.
Paul Morel
The second child of Walter and Gertrude Morel.
Miriam Leivers
A young farm girl. She is very introvert, romantic ambitious, religious in nature. It is ofyen said that, Miriam is represented as the Author's own beloved Jessica Chambers.
Clara Dawes
A handsome, married but physically emancipated woman living apart from her husband. Paul's mistress, makes physical relation with Paul for a several times.
Baxter Dawes
Clara Dawes's husband. A brutal and jealous perosn. Antagonist of Paul Morel.
Anne Morel
Paul Morel's sister. She escapes her home by becoming a school teacher.
Arthur Morel
The youngest of Mr.Morel's children. The only son whom Mr.Morel loevs much.
Mr Leivers
A silent person and father of Miriam Leivers.
Important Themes of the novel
- The Oedipus Complex
- Family romantic and Social Bondage
- Contradictions and Oppositions
- Natural Scenery
- The Oedipus Complex:- Hope that you all are familier with the term who have crossed your 2nd Year's bondage. It comes from the Greek tragedy of Oedipus Rex. In the novel, the blind prophet, Teiresias prophesied that Oedipus will murder his father and have sex with his mother. In the modern time, this term is names by the famous psychiatrist, Sigmund Freud. In "Sons and Lovers", Lawrence uses this complex to explore Paul's relationship with his mother, which sometimes borders on romantic. In addition, Paul hates his father with a passion and often fantasizes about his death. Paul tries to get rid of his guilty feelings by transferring his feelings to Miriam and Clara (transference also being a Freudian term).
- Family romantic and Social Bondage:- Lawrence discusses the idea of bondage in both social and romantic arenas. Mrs. Morel feels that she is bound by being a woman. This causes her to feel jealous of Miriam who is able to use her intellect. Romantic bondage is discussed in greater detail. Paul feels bound to his mother and unable to love or marry someone else. Social absurdity and jealousy is also discussed throughout the novel, which is closely connected to the theme of bondage.
- Contradictions and Oppositions:- The main contradiction seen in the novel is that of love and hate, as Paul goes back and forth between these two with all of the woman in his life. Sometimes he seems to feel both at the same time, as with Miriam. Lawrence also contrasts body and mind when exploring the idea of desire.
- Natural Scenery:- Lawrence uses descriptions of the natural environment to explore the emotions and desires of the characters.
English Summary (āĻংāĻ°েāĻি āĻ¸াāĻŽাāĻ°ি āĻŦা āĻ¸াāĻ°āĻŽāĻ°্āĻŽ)
The novel begins with the unhappy marriage of a couple. The first part of the novel focuses on Mrs. Morel and her unhappy marriage to a drinking miner. Gertrude (soon to be Mrs. Morel), an intelligent young woman from a middle-class English family, meets a young miner, Mr. Morel.
She is carmed by the behaviour and attitude of Mr.Morel so the pair are married a few months later and soon Mrs. Morel becomes pregnant. The first few months of their marriage are happy, but gradually their relationship was growing in a razzmatazz way. Mrs. Morel discovers that Walter is not as wealthy as she believed and that they do not own the house they live in, but rather rent it from Walter’s mother.
After a few months, Mrs. Morel gives birth to a son, who she names William, and she adores him immensely. Although she and Mr. Morel are still friendly with each other, she has lost interest in him and the rift between them widens after the birth of the child. She focuses all her love on her son and delights in planning for his future and watching him grow up.
Mrs. Morel has a second child, Annie, and then gets pregnant with a third. And he is Paul. One night, shortly after the birth, when she has taken the children out of the house to avoid Mr. Morel’s temper, she sits and watches the sunset on a nearby hill and decides to name the baby Paul. Paul grows into a serious and thoughtful child. William, meanwhile, is very active and charming.
Mrs. Morel gives birth to a third son, Arthur, whom Mr. Morel is instantly fond of. When William is old enough, he gets a job as a clerk and is very successful and well-liked. He is offered a position in London and gleefully accepts. At first, William visits home a lot and sends money to his family. However, as time goes on, he begins to get caught up in city life and spends his money on his fiancÊe, Louisa Lily Denys Western.
Morel is shocked and depressed when, during another visit, William is openly cruel to Louisa. Not long after this, William contracts pneumonia and dies, leaving Mrs. Morel heartbroken. Paul, meanwhile, grows into an intelligent young man and takes a job as a clerk in Nottingham. Mrs. Morel continues to grieve for William, and Paul, who is also very close to his mother, is desperate to bring her out of herself and to win her attention back.
When Paul is struck down with pneumonia, Mrs. Morel realizes, to her horror, that she has neglected him. She does everything in her power to nurse him back to health. Paul recovers well and from then on, Mrs. Morel is committed to him and pins all her hopes for the future on him. In Paul's office, he meets with Miriam Leivers. Paul falls in love with Miriam Leivers, who lives on a farm not too far from the Morel family.
Miriam, who is very timid, religious, and intellectual. Mrs. Morel dislikes her. Although Paul and Miriam get along well, there is a physical awkwardness between them. They are both immature and neither understands that they are attracted to each other. Mrs. Morel is jealous of the time he spends with Miriam cause she suspects that Paul may turn out of her.
Miriam realizes that she is in love with Paul, but she feels ashamed of this physical attraction because it clashes with her religious views. Miriam does not tell Paul about her feelings. Paul paints well. Around this time, Paul wins a prize for his painting in a Nottingham exhibition. One night, he meets Miriam at the exhibition along with a young woman called Clara Dawes.
Clara is married to a man named Baxter, who works in the same factory as Paul, but the pair have separated. Miriam and Paul continue their platonic relationship, but it puts a strain on them, as they both wish to become a couple but do not know how to do so. Miriam is hurt and confused, but she continues to maintain that she is good for Paul and that he “belongs to her.”
One night, when Paul is out with Miriam, Mrs. Morel is taken ill. When Paul returns, Annie berates him for neglecting his mother. Paul tries to break things off with Miriam. One afternoon, Paul is invited to Miriam’s house to have tea with Clara Dawes. Although Paul still dislikes Clara, he finds her impressive and attractive.
Paul gets Clara a job in the factory, but still finds her haughty and reserved at work. Her presence irritates him and he goes out of his way to annoy her. During the summer, Paul and Miriam get engaged, but Paul breaks off the engagement several weeks later. He strikes up a relationship with Clara but continues to see Miriam often. Baxter Dawes finds out about Paul and Clara, and Baxter and Paul get into a fight in a pub.
Baxter later attacks Paul in the dark, while he is walking back from Clara’s house. During this period, Mrs. Morel’s health begins to decline. While she is on holiday in Sheffield, staying with Annie, she falls ill and is diagnosed with cancer.
Paul is horrified at the thought that his mother may die. He stays in Sheffield to nurse her and. After a few weeks, Mrs. Morel is able to travel home, but it is understood by everyone that she will not live very long. Although Paul is still in contact with both Miriam and Clara, he finds that he no longer cares for them and he dedicates all his time to caring for his mother. Mrs. Morel dies gradually and painfully.
Annie and Paul, who care for her, can hardly bear the strain.
Finally, after Mrs. Morel has grown unbearably ill, Paul poisons her with the painkillers he has been given by the doctor. Not long after Mrs. Morel’s death, Paul goes on a trip to the seaside with Baxter and invites Clara to join them. At that time, Paul believes that Clara wishes to reconcile with Baxter and arranges things so that he leaves them together in the cottage.
Although Clara is angry with Paul but she does forgive Baxter and agrees to return to him as his wife. One night, he sees Miriam outside church and invites her back to his house. Miriam is sad to see that he has deteriorated and suggests that they get married. Paul rejects her, and Miriam decides that she will never see him again.
After she has gone, Paul catches a car out into the country and walks across the fields in the dark. He calls out to his mother and wishes to end his life so he can be with her. Thus, the novel ends tragically.
āĻŦাংāĻ˛া āĻ¸াāĻŽাāĻ°ী āĻŦা āĻ¸াāĻ°āĻŽāĻ°্āĻŽ (Bangla- Bengali Summary)
āĻāĻĒāĻ¨্āĻ¯াāĻ¸েāĻ° āĻļুāĻ°ুāĻ¤েāĻ āĻĻেāĻা āĻ¯াā§ Mrs.Gartrude Morel āĻāĻ° āĻ¤াāĻ° āĻ¸্āĻŦাāĻŽী Mr. Walter. Morel āĻāĻ° āĻāĻ˛āĻšāĻĒূāĻ°্āĻŖ āĻĻাāĻŽ্āĻĒāĻ¤্āĻ¯ āĻীāĻŦāĻ¨েāĻ° āĻাāĻšিāĻ¨ী। Walter Morel āĻā§āĻ˛াāĻ° āĻāĻ¨িāĻ¤ে āĻাāĻ āĻāĻ°েāĻ¨। āĻŦিāĻŦাāĻšেāĻ° āĻāĻে Mrs.Morel āĻেāĻŦেāĻিāĻ˛ো Walter Morel āĻāĻ° āĻāĻ°্āĻĨিāĻ āĻ
āĻŦāĻ¸্āĻĨা āĻ¤āĻ¤āĻা āĻļোāĻāĻ¨ীā§ āĻ¨ā§ āĻিāĻ¨্āĻ¤ু āĻŦিāĻŦাāĻšেāĻ° āĻĒāĻ°ে āĻ¸ে āĻĻেāĻāĻ¤ে āĻĒেāĻ˛ Walter Morel āĻāĻ¸āĻ˛ে āĻ¨িāĻ¨্āĻŽāĻŦিāĻ¤্āĻ¤ āĻāĻāĻāĻ¨ āĻ˛োāĻ।
āĻāĻŽāĻ¨ি āĻ¤াঁāĻ°া āĻ¯ে āĻŦাā§িāĻ¤ে āĻĨাāĻে āĻ¸েāĻ āĻŦাā§িāĻাāĻ āĻšāĻ্āĻে āĻাā§া āĻ¨েā§া৷ āĻ¤াঁāĻĻেāĻ° āĻ¤িāĻ¨ āĻেāĻ˛ে āĻ āĻāĻ āĻŽেā§ে। āĻ¸āĻŦাāĻ āĻŽিāĻ˛ে England āĻāĻ° Bestwood āĻ¨াāĻŽāĻ āĻāĻāĻা āĻাā§āĻাā§ āĻĨাāĻেāĻ¨। āĻ¸্āĻŦাāĻŽীāĻ° āĻ¸াāĻĨে Mrs.Morel āĻāĻ° āĻĒ্āĻ°াā§āĻ āĻাāĻŽেāĻ˛া āĻšā§ āĻāĻŦং āĻĒ্āĻ°াā§āĻ āĻ¸েāĻা āĻŽাāĻ¤্āĻ°াāĻ¤িāĻ°িāĻ্āĻ¤ āĻĒāĻ°্āĻ¯াā§ে āĻāĻ˛ে āĻ¯াā§৷ āĻŽোāĻāĻāĻĨা āĻ¸āĻŦ āĻŽিāĻ˛ে Mrs.Morel āĻāĻāĻা āĻĻুāĻ°্āĻŦিāĻˇāĻš āĻীāĻŦāĻ¨ āĻ¯াāĻĒāĻ¨ āĻāĻ°āĻ¤েāĻে। āĻ¤াāĻ Mrs.Morel āĻ¸িāĻĻ্āĻ§াāĻ¨্āĻ¤ āĻ¨েā§ āĻ¯ে āĻ¸ে āĻ¤াঁāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻĨেāĻে āĻāĻ˛াāĻĻা āĻšā§ে āĻ¯াāĻŦে āĻ¤াঁāĻ° āĻ¸āĻ¨্āĻ¤াāĻ¨āĻĻেāĻ°āĻে āĻ¨িā§ে। Mrs.Morel āĻāĻ° āĻŦā§ āĻেāĻ˛েāĻ° āĻ¨াāĻŽ, William Morel
āĻ¤াāĻ°āĻĒāĻ° āĻāĻāĻŽাāĻ¤্āĻ° āĻŽেā§ে Anne Morel, āĻ¤াāĻ°āĻĒāĻ° Paul Morel āĻāĻŦং āĻ¸āĻŦাāĻ° āĻোāĻ Arthur Morel. āĻ¸্āĻŦাāĻŽীāĻ° āĻাāĻ āĻĨেāĻে āĻাāĻ˛োāĻŦাāĻ¸া āĻ¨া āĻĒাāĻā§াāĻ¤ে Mrs.Morel āĻ¤াঁāĻ° āĻেāĻ˛েāĻŽেā§েāĻĻেāĻ° āĻāĻĒāĻ° āĻ¨িāĻ°্āĻāĻ°āĻļীāĻ˛ āĻšā§ে āĻĒā§ে āĻŦিāĻļেāĻˇ āĻāĻ°ে āĻ¤াঁāĻ° āĻŦā§ āĻেāĻ˛ে William Morel āĻāĻ° āĻāĻĒāĻ°। āĻিāĻুāĻĻিāĻ¨েāĻ° āĻŽāĻ§্āĻ¯েāĻ āĻ¤াঁāĻĻেāĻ° āĻŽāĻ§্āĻ¯ে āĻāĻ¨িāĻˇ্āĻ āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻ¤ৈāĻ°ি āĻšā§। āĻāĻাāĻ āĻšāĻ্āĻে āĻāĻ āĻĄ্āĻ°াāĻŽাāĻ° āĻুāĻ°ুāĻ¤্āĻŦāĻĒূāĻ°্āĻŖ theme, Oedipus Complex. William āĻŦā§ āĻšāĻ¤ে āĻĨাāĻে, āĻ¸াāĻĨে āĻ¤াঁāĻ° āĻোāĻ āĻাāĻāĻŦোāĻ¨েāĻ°াāĻ।
William āĻāĻ° āĻŦā§āĻ¸ āĻ¯āĻāĻ¨ 19 āĻ¤āĻāĻ¨ āĻ¸ে āĻāĻāĻা āĻাāĻāĻ°ি āĻĒাā§ Nottingham āĻ। āĻ¤াāĻ āĻাāĻāĻ°িāĻ° āĻ¸ুāĻŦাāĻĻে āĻ¤াঁāĻে London āĻ āĻāĻ˛ে āĻ¯েāĻ¤ে āĻšā§। Mrs.Morel āĻāĻŦাāĻ° āĻāĻা āĻšā§ে āĻ¯াā§। āĻিāĻ¨্āĻ¤ু āĻŽাā§ে-āĻেāĻ˛েāĻ° āĻŽāĻ§্āĻ¯ে āĻ¯োāĻাāĻ¯োāĻ āĻ
āĻ্āĻˇুāĻŖ্āĻŖ āĻĨাāĻে৷ London āĻ āĻিā§ে William, Lyly āĻ¨াāĻŽেāĻ° āĻāĻ āĻ¸ুāĻ¨্āĻĻāĻ°ী āĻŽেā§েāĻ° āĻĒ্āĻ°েāĻŽে āĻĒā§ে৷ āĻāĻা Mrs.Morel āĻাāĻ¨াāĻ° āĻĒāĻ° āĻ¤িāĻ¨ি(Mrs.Morel) āĻĒ্āĻ°āĻāĻ¨্āĻĄ āĻšāĻ¤াāĻļ āĻšā§ে āĻĒā§েāĻ¨।
āĻāĻ¸্āĻ¤ে āĻāĻ¸্āĻ¤ে William āĻŦাā§িāĻ° āĻ¸াāĻĨে,āĻ¤াঁāĻ° āĻŽাā§েāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻেāĻ° āĻĻূāĻ°āĻ¤্āĻŦ āĻŦাā§াāĻ¤ে āĻĨাāĻে৷ āĻিāĻ¨্āĻ¤ু āĻĻুāĻ°্āĻাāĻ্āĻ¯āĻāĻ¨āĻāĻাāĻŦে āĻā§েāĻ āĻŦāĻāĻ° āĻĒāĻ° William, London āĻāĻ āĻāĻāĻা screen disease āĻ āĻŽাāĻ°া āĻ¯াā§৷ Mrs.Morel āĻāĻ¤ে āĻāĻ°ো āĻেāĻে āĻĒā§েāĻ¨। āĻāĻ¸্āĻ¤ে āĻāĻ¸্āĻ¤ে āĻāĻāĻু āĻ¸ুāĻ¸্āĻĨ āĻšā§ে āĻāĻ āĻ˛ে Mrs.Morel āĻ¤াঁāĻ° āĻŽেāĻো āĻেāĻ˛ে Paul āĻāĻ° āĻĒ্āĻ°āĻ¤ি attracted āĻšā§ে āĻĒā§ে। Paul āĻāĻ° āĻāĻāĻা āĻ
āĻ¸ুāĻ āĻšāĻā§াāĻ¤ে Mrs.Morel, Paul āĻāĻ° āĻāĻ°ো āĻাāĻাāĻাāĻি āĻāĻ˛ে āĻāĻ¸ে।
āĻ¤াঁāĻĻেāĻ° āĻŽāĻ§্āĻ¯ে āĻāĻāĻা āĻ
āĻŦিāĻ্āĻেāĻĻ্āĻ¯ āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻ¤ৈāĻ°ি āĻšā§। āĻ¯েāĻা āĻļেāĻˇ āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻļাāĻ°ীāĻ°িāĻ āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻĒāĻ°্āĻ¯āĻ¨্āĻ¤ āĻā§াā§। āĻĻু'āĻāĻ¨েāĻ° āĻāĻ āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻŦেāĻļ āĻাāĻ˛োāĻ āĻāĻ˛āĻ¤ে āĻĨাāĻে। āĻāĻ° āĻāĻ¸āĻŦ āĻĻেāĻে Mr.Morel āĻāĻ°্āĻˇাāĻ¨্āĻŦিāĻ¤ āĻšā§ āĻļুāĻ§ু। Paul āĻ
āĻ¨েāĻ āĻাāĻ˛ো āĻāĻŦি āĻঁāĻāĻ¤ে āĻĒাāĻ°āĻ¤ো। āĻ¤াāĻ āĻ¤াঁāĻ° āĻāĻāĻা āĻাāĻāĻ°ি āĻšā§ āĻ¸্āĻĨাāĻ¨ীā§ āĻ
āĻĢিāĻ¸ে। āĻ¸েāĻাāĻ¨ে āĻĨাāĻাāĻাāĻ˛ীāĻ¨ āĻ¸āĻŽā§ে Paul, Miriam Leivers āĻ¨াāĻŽেāĻ° āĻāĻ āĻŽেā§েāĻ° āĻĒ্āĻ°েāĻŽে āĻĒā§ে āĻ¯াā§।
āĻĻু'āĻāĻ¨েāĻ° āĻŽāĻ§্āĻ¯ে āĻāĻĨাāĻŦাāĻ°্āĻ¤া āĻāĻ˛āĻ¤ে āĻĨাāĻে āĻিāĻ¨্āĻ¤ু āĻ¸েāĻা āĻ
āĻ¨্āĻ¯ āĻোāĻ¨ āĻāĻĻ্āĻĻেāĻļ্āĻ¯ে āĻ¨ā§ āĻাāĻ°āĻŖ Paul āĻ¤াঁāĻ° āĻŽাāĻে āĻাā§া āĻ
āĻ¨্āĻ¯ āĻাāĻ°ো āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻেāĻ° āĻāĻĨা āĻাāĻŦāĻ¤েāĻ āĻĒাāĻ°েāĻ¨া। Miriam Leivers āĻিāĻ¨্āĻ¤ু Paul āĻে āĻাāĻ˛োāĻŦেāĻ¸ে āĻĢেāĻ˛ে। āĻāĻা āĻāĻāĻ¸āĻŽā§ে Paul āĻāĻ° āĻŽা Mrs.Morel āĻŦুāĻে āĻĢেāĻ˛ে। āĻ¸ে āĻŽāĻ¨ে āĻāĻ°ে Miriam āĻšā§āĻ¤ো āĻ¤াঁāĻ° āĻĨেāĻে Paul āĻে āĻেā§ে āĻ¨িāĻ¤ে āĻাā§ āĻ¤াāĻ āĻ¸ে Paul āĻে Miriam āĻāĻ° āĻ¸াāĻĨে āĻŽিāĻļāĻ¤ে āĻ¨িāĻˇেāĻ§ āĻāĻ°ে āĻĻেā§।
āĻ āĻ
āĻĢিāĻ¸েāĻ Paul āĻāĻ° āĻ¸াāĻĨে āĻĻেāĻা āĻšā§ Clara Dawes āĻāĻ°। Clara āĻāĻāĻāĻ¨ āĻŦিāĻŦাāĻšিāĻ¤া āĻŽāĻšিāĻ˛া āĻিāĻ¨্āĻ¤ু āĻ¸ে āĻ¤াঁāĻ° āĻ¸্āĻŦাāĻŽীāĻ° āĻĨেāĻে separate āĻšā§ে āĻিā§েāĻে। āĻāĻ¸্āĻ¤ে āĻāĻ¸্āĻ¤ে Paul āĻāĻ° āĻ¸াāĻĨে Clara āĻāĻ° āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻšāĻ¤ে āĻļুāĻ°ু āĻāĻ°ে। Paul, Clara āĻāĻ° āĻাāĻে Miriam āĻ¸āĻŽ্āĻĒāĻ°্āĻে āĻŦāĻ˛ে। āĻ¤āĻāĻ¨ Clara āĻŦāĻ˛ে Paul āĻ¯েāĻ¨ Miriam āĻāĻ° āĻ¸াāĻĨে āĻļাāĻ°ীāĻ°িāĻ āĻ¸āĻŽ্āĻĒāĻ°্āĻে āĻ˛িāĻĒ্āĻ¤ āĻšā§।
āĻāĻ° āĻŽাāĻ§্āĻ¯āĻŽে Paul āĻāĻ° Miriam āĻাāĻ˛ো āĻāĻāĻা āĻ¸āĻŽā§ āĻাāĻাāĻ¤ে āĻĨাāĻে। āĻ¤āĻāĻ¨ Paul, Miriam āĻে āĻŦিā§ে āĻāĻ°াāĻ° āĻāĻĨা āĻাāĻŦāĻ¤ে āĻĨাāĻে। āĻāĻ āĻāĻĨা Mrs.Morel āĻে Paul āĻাāĻ¨াāĻ˛ে Mrs.Morel āĻ¨া āĻ¨াāĻāĻ āĻāĻ°ে āĻĻেā§। āĻিāĻ¨্āĻ¤ু Paul āĻŦুāĻāĻ¤ে āĻĒাāĻ°ে āĻ¸ে Miriam āĻে āĻ¸āĻ¤্āĻ¯িāĻ āĻাāĻ˛োāĻŦাāĻ¸ে৷ āĻিāĻ¨্āĻ¤ু āĻ¸ে āĻ¤ো āĻ¤াঁāĻ° āĻŽাāĻেāĻ āĻাāĻ˛োāĻŦাāĻ¸ে। āĻ¸ে āĻ¤াঁāĻ° āĻŽাāĻে āĻাā§āĻ¤ে āĻĒাāĻ°āĻŦে āĻ¨া āĻ¤াāĻ āĻ¸ে Miriam āĻāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻļেāĻˇেāĻ° āĻāĻĨা āĻাāĻŦে। Miriam āĻāĻ° āĻ¸াāĻĨে āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻļেāĻˇেāĻ° āĻĒāĻ° Paul āĻিāĻুāĻা āĻāĻাāĻিāĻ¤্āĻŦ āĻ
āĻ¨ুāĻāĻŦ āĻāĻ°ে।
āĻ¤āĻāĻ¨ āĻ¸ে Clara āĻে āĻ¤াঁāĻ° āĻাāĻে āĻĒাā§। āĻ¤াঁāĻĻেāĻ° āĻĻু'āĻāĻ¨েāĻ° āĻŽāĻ§্āĻ¯ে āĻāĻŦাāĻ° āĻāĻীāĻ° āĻ¸āĻŽ্āĻĒāĻ°্āĻ āĻ¤ৈāĻ°ি āĻšā§। āĻāĻ āĻāĻāĻ¨া āĻāĻāĻ¸āĻŽā§ে Clara āĻāĻ° āĻ¸্āĻŦাāĻŽী Baxter Dawes āĻেāĻ¨ে āĻ¯াā§। āĻ¤āĻāĻ¨ Baxter, Paul āĻে āĻ¨িāĻ°্āĻŽāĻŽāĻাāĻŦে āĻŽাāĻ°āĻ§োāĻ° āĻāĻ°ে। āĻ¤āĻāĻ¨ Paul āĻŦুāĻāĻ¤ে āĻĒাāĻ°ে āĻ¯ে Baxter āĻ¤āĻāĻ¨āĻ Clara āĻে āĻাā§। āĻ¤াāĻ Paul āĻ¤াঁāĻĻেāĻ° āĻĻু'āĻāĻ¨āĻে āĻāĻŦাāĻ° āĻāĻ āĻšāĻ¤ে āĻ¸াāĻšাāĻ¯্āĻ¯ āĻāĻ°ে। āĻšāĻ াā§ āĻāĻ°েāĻ Mrs.Morel āĻ
āĻ¸ুāĻ¸্āĻĨ āĻšā§ে āĻĒā§ে।
āĻĻিāĻ¨āĻে āĻĻিāĻ¨ Mrs.Morel āĻāĻ° āĻ
āĻŦāĻ¸্āĻĨা āĻাāĻ°াāĻĒ āĻĨেāĻে āĻাāĻ°াāĻĒāĻ¤āĻ° āĻšāĻ¤ে āĻĨাāĻে। Mrs.Morel āĻ¸াāĻ°াāĻ্āĻˇāĻŖ āĻŦিāĻাāĻ¨াā§ āĻāĻāĻĢāĻ āĻāĻ°āĻ¤ে āĻĨাāĻে। āĻ¤াāĻ° āĻā§āĻ্āĻāĻ° āĻ°োāĻ āĻ্āĻ¯াāĻ¨্āĻ¸াāĻ° āĻšā§। Paul āĻ¤া āĻ¸āĻš্āĻ¯ āĻāĻ°āĻ¤ে āĻ¨া āĻĒেāĻ°ে Mrs.Morel āĻে āĻāĻˇāĻ§েāĻ° overdose āĻĻিā§ে āĻŽেāĻ°ে āĻĢেāĻ˛েāĻ¨। āĻāĻ°āĻĒāĻ° Paul āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻāĻা āĻšā§ে āĻ¯াā§। āĻ¸ে āĻāĻ¨্āĻ¨āĻাā§া āĻীāĻŦāĻ¨ āĻ¯াāĻĒāĻ¨ āĻāĻ°āĻ¤ে āĻĨাāĻে৷ Miriam āĻ¤āĻāĻ¨āĻ Paul āĻāĻ° āĻাāĻে āĻĢিāĻ°ে āĻ¯েāĻ¤ে āĻাā§। āĻিāĻ¨্āĻ¤ু Paulm āĻ¤াঁāĻে āĻĒ্āĻ°āĻ¤্āĻ¯াāĻ্āĻ¯াāĻ¨ āĻāĻ°ে āĻĻেā§। āĻ¸āĻŦāĻļেāĻˇে āĻ¸ে āĻীāĻŦāĻ¨েāĻ° āĻĒ্āĻ°āĻ¤ি āĻ¸āĻŽ্āĻĒূāĻ°্āĻŖ āĻāĻļাāĻšāĻ¤ āĻšā§ে āĻĒā§ে। āĻ¤াঁāĻ° āĻĻুāĻোāĻ āĻ¯েāĻĻিāĻে āĻ¯াā§ āĻ¸ে āĻ¸েāĻĻিāĻেāĻ āĻāĻ˛ে āĻ¯াā§।
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